We move from 1968 to 1969 with a film legend and the ugliest show in town.
We kick off 1968 with groundbreaking, gimmicky, and bland entries.
We wrap up 1967 with an improbable gliding novitiate and an ancestor of Everybody Loves Raymond.
1967’s sitcoms begin with two zero heroes and a show ahead of its time.
We wrap up 1966’s sitcoms with a band that’s not really a band.
We check in with 1966, Unca Beel, and some very embarrassed cavemen and astronauts.
Three flops and a hit in 1966, the latter involving "Diamonds…Daisies…Snowflakes”.
We go from 1965 to 1966, but not before checking in with a certain genie and her master.
We’ve got three great sitcoms from 1965—would you believe one great sitcom and two stinkers?
Three more of 1965’s sitcoms are heard from—and you’d have to be a dummkopf not to know the biggest one.
We've reached another milestone--and the conclusion of the Hooterville Trilogy.
A group of less-than-successful 1965 sitcoms are covered, including a story of a man and his talking car.
A triple shot of sitcoms wrap up 1964, followed by old west shenanigans.
We've reached yet another sitcom milestone—let’s just say a 3 hour tour is involved.
It’s monsters and Marines as 1964’s sitcoms roll on.
Another set of 1964’s sitcoms are heard from, one of which is both ooky and spooky.
We’ve reached 1964’s milestone sitcom—Calling Dr. Bombay!
1964’s sitcoms continue with four flops, including No Time For Sergeants and Wendy and Me.
We wrap up 1963's sitcoms and move on to 1964, including My Favorite Martian.
1963's sitcoms roll on, although we're moving kind of slow (at the Junction).