We move from 1968 to 1969 with a film legend and the ugliest show in town.
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We kick off 1968 with groundbreaking, gimmicky, and bland entries.
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We wrap up 1967 with an improbable gliding novitiate and an ancestor of Everybody Loves Raymond.
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1967’s sitcoms begin with two zero heroes and a show ahead of its time.
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We wrap up 1966’s sitcoms with a band that’s not really a band.
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We check in with 1966, Unca Beel, and some very embarrassed cavemen and astronauts.
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Three flops and a hit in 1966, the latter involving "Diamonds…Daisies…Snowflakes”.
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We go from 1965 to 1966, but not before checking in with a certain genie and her master.
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We’ve got three great sitcoms from 1965—would you believe one great sitcom and two stinkers?
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Three more of 1965’s sitcoms are heard from—and you’d have to be a dummkopf not to know the biggest one.
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We've reached another milestone--and the conclusion of the Hooterville Trilogy.
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A group of less-than-successful 1965 sitcoms are covered, including a story of a man and his talking car.
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A triple shot of sitcoms wrap up 1964, followed by old west shenanigans.
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We've reached yet another sitcom milestone—let’s just say a 3 hour tour is involved.
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It’s monsters and Marines as 1964’s sitcoms roll on.
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Another set of 1964’s sitcoms are heard from, one of which is both ooky and spooky.
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We’ve reached 1964’s milestone sitcom—Calling Dr. Bombay!
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1964’s sitcoms continue with four flops, including No Time For Sergeants and Wendy and Me.
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We wrap up 1963's sitcoms and move on to 1964, including My Favorite Martian.
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1963's sitcoms roll on, although we're moving kind of slow (at the Junction).